The Fullerene Chemistry life-science of the three 1996 Nobel Laureates in Chemistry was based upon the synergistic engineering principles of Buckminster Fuller, which challenged the basis of 20th Century science. Harvard University's Novatis Professor, Amy Edmonson in her online book titled 'The Fuller Explanation' explains that Buckminster Fuller derived his engineering principles from the mathematics of the Greek philosopher Plato. Most people have heard of the term 'Platonic love' and now that Platonic-Fullerene Chemistry has come into existence, we might ask the question, what practical engineering principles might be associated with Platonic love?
To answer that question we can examine how the new chemistry challenges the general understanding of modern science. The NASA High Energy Astrophysics Division library has published papers arguing that the Platonic tradition of Greek philosophy was based upon fractal geometrical logic. All life-sciences within the present accepted understanding of science, can only be about species moving toward extinction. This is because Einstein's 'Premier law of all Science' demands the total destruction of all life in the universe when all of its heat is radiated away into cold space. On the other hand, Plato's ethical logic is based upon fractal geometry, which we know extends life-science to infinity. The New Measurement of Humanity Project at the University of Florence, on September 24th 2010, was honoured with the Georgio Napolitano Medal on behalf of the Republic of Italy. The Project's upgrading of quantum mechanics to quantum biology, agreed with Plato's logic.
The practical engineering principles we seek, belongs to the difference between aesthetics and ethics. Ethics can now be considered to be part of science itself, rather that being considered to be only about how we use science. We can explain the difference in simplistic terms rather than complex electromagnetic biological terms that belongs to quantum biology. We know that the old chemistry we have, does indeed obey Einstein's law of Universal decay. However, we know from the discovery of Sir Isaac Newton's unpublished papers, discovered last century, that Newton held the firm conviction that a more profound natural philosophy existed to balance the energy decay of the mechanical universe. Newton's principles, responsible for this balance, belonged to Plato's lost 'Science for ethical ends'.
During the 18th Century, the philosopher Immanuel Kant defined aesthetics as the theory of art appreciation, but he also sought ethics technology from within the electromagnetic theories of his day, an electric motor to make the one we know as a child's toy by comparison. Kantian aesthetics in the 21st Century has become the basis of a moral logic to guide various types of organisations. An interest in ethical electromagnetic biological science is re-emerging, because of the new Platonic-Fullerene Chemistry.
Any aesthetic consciousness in the beauty of, say, a painting of a lovely mountain range with majestic waterfalls, is about seeing beauty in decay, the waterfalls are eating away at the structure of the mountain. The aesthetic feeling, therefore, belongs to the material world of destructive reality, but it inspires a peaceful harmonic creative intuition in the mind. The Nobel Laureate in Medicine, Svent-Gyoergyi, was so insistent that this material decay was balanced by the evolution of consciousness, that he called scientists who did not realise this, crazy apes and wrote a book with that title. We can now begin to think that the mental harmonics associated with mareialistc aesthetics and the evolution of the mind, might have some great universal ethical purpose and begin to look for the new technologies that Immanuel Kant intuitively glimpsed. This is about the optical spiritual, or holographic, engineering principles that Plato wrote about.
The harmonic balancing of the decay of matter with Sir Isaac Newton's more natural profound balancing philosophy, describes some sort of entanglement between the the energies of decay and evolving creative consciousness. This is known as quantum entanglement, a process existing between quantum mechanics and quantum biology. The biologist Dr Carl Johan Calleman, author of the book 'The Purposeful Universe' has quantised the functioning of the human cell. This allows us to identify the rather incredible nature of Immanuel Kant's sought for ethical electromagnetc ethical technology.
Dr Callerman notes that the male sperm propels itself to the ovum by a tiny electromagnetic motor, which is driving its tail. Upon entry to the ovum, the male motor morphs into a balanced Yin-Yang motor of life. This spark of life programs a universal message of evolution to the first bone created within the embryo, the sphenoid bone. The sphenoid vibrates with the seashell design of the inner ear, to provide the electromagnetic music of life that Plato referred to as Pythagoras' Music of the Spheres. Dr Richard Merrick of Texas University, in his book 'Interference' has mapped out the electromagnetic functioning of the Music of the Music of the Spheres within the functioning of evolving consciousness.
The Science-Art Research Centre of Australia discovered the mathematical structure of the Music of the Spheres governing the evolution of seashells through millions of years through space-time The discovery was reprinted by the worlds largest technological research institute IEEE SPIE Milestone Series in Washington in 1990. In 1995 the work won the Institute for Basic Research's Biology Prize for the discovery of new physics laws governing optimum biological growth and development through space-time. Since then, it has been discovered that the human sphenoid bone sings the same Music of the Spheres song of life, meaning that it is now possible to discover a practical technology from what was once called Plato's optical spiritual engineering principles.
The Science-Art Centre obtained experimental evidence by using special 3-D Glasses, of the existence of Plato's spiritual optics by discovering that, over the centuries some artists had unconsciously depicted holographic images into their paintings. The new technology is about humankind's evolving understanding of the nature of Einstien's protege, David Bohm's, infinite holographic universe. Now that the difference between aesthetics and ethics is understood, humankind is poised upon the threshold of what buckminster Fuller referred to as Uopia or Oblivion.
Within the Platonic tradition of Greek philosophy, Aristotle's ethical science was designed to become the basis of an ennobling medical politics for the health of the universe, so that the universe would not allow civilisation to become extinct. The Platonic-Fullerene Chemistry is part of that political medical science and it has no place for any aesthetic obsession to dominate politics or religious persuasions. For example, aesthetical appreciation of blond blue eyed people becoming a master race is not ethical, as also was using the aesthetics of Angel Physics to legalise the torture and burning alive of countless women and children as witches.
The 2008 Nobel Prize Winner in Medicine Dr Luc Montagnier, is among an emerging group of scholars who claim that evidence has been obtained to show that DNA can transport imprints of itself electromagnetically. To make teleportation ethical it would be necessary to change the general assumption that nature will find some way to cull overpopulation. Transparent global medical scientific research, available to the people must come into existence to allow ethical debate on such issues to occur. That very process, acting in defiance of being governed by the present understanding of unbalanced entropic decay, will demonstrate the existence of new technologies, for the betterment of the human condition, far beyond the ability of an entropic mindset to even imagine.
Professor Robert Pope (C)
http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html
Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.
As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.
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