Fractal Life Science, Liberty, Ethics and the Upgrading of Renaissance Optics

Known as The Man of the Renaissance, Leonardo da Vinci's Theory of all knowledge is recognised as being basic of the modern age of mechanistic science and technology. The key to this work of great genius was the human eye. Leonardo's optical key was associated with Sir Francis Bacon's vision of a great empire for all men based upon all knowledge through the eye. Thomas Jefferson, inspired by this concept, depicted the Egyptian All seeing eye concept upon the great seal of America.

The term Renaissance refers to a rebirth of the lost Classical Greek Science of Life. The 14th Century Great Italian Renaissance was an extension of the Islamic Translator School that was set up in Toledo Spain during the 11,12th and 13th Century. The Translator School was about the recovery of several centuries of ancient Greek science which the Christian Church had mostly destroyed as heresy. During the Golden Age of Islamic science the writings of Al Haitham, known as the father of optics, has since demonstrated that Leonardo da Vinci's status as the Man of the Renaissance is simply a great myth. Recent optical discoveries have proven this to be so.

Al Haitham had corrected Plato's optics but retained the warning that to use the eye as the source of all knowledge could only lead to an ignorant and destructive scientific world view. The engineer Buckminster Fuller's life energy discoveries, derived from Plato's spiritual optics or holographic optics, are now basic to a new life science being developed by the three 1996 Nobel laureates in Chemisty.

When a sperm makes contact with the membrane of the ovum, the function of its liquid crystal optical construction focusses life into being within that cell. There is no eye present to engage in any knowledge collating process whatsoever. The technology developed from Pierre de Gennes liquid crystal optics theories which won the 1991 Nobel Prize in Physics, revealed, through nano technology observations, life science energies functioning in complete defiance of Leonardo's mechanistic world view. As Al Haitham and Plato had advised, considering that the eye is the key to all knowledge can only lead to a limited mechanical lifeless and ethically void scientific world view.

The internationally recognised science book titled The Beauty of Fractals-Images of Complex Dynamical Systems, warns that the current understanding of geometry upholding technology belongs to a doomed civilisation. A chapter in that book under the heading Freedom, Science and Aesthetics, written by the scientist, Gert Eilenberger, contains a reference to some remarkable computer generated fractal artwork.

Professor Eilenberger wrote about the excitement surrounding these fractal pictures, stating that they demonstrated the existence of a bridge between rational scientific insight and emotional aesthetic appeal. Not only can surrounding excitement be generated by these pictures but when viewed through 3-D ChromaDepth glasses they can exhibit vivid hidden holographic images. The the late Royal Fellow of Medicine, (London) Dr George Cockburn, correctly predicted such artistic phenomena within a published book written in 1984 entitled A Bio-aesthetic Key to Creative Physics and Art. After his death it was discovered that the reproduction of some pictures, painted over the centuries also contained the hidden holographic images, that had been generated unconsciously by the artist.

Dr Cockburn's correction to Kantian logic was found to echo the theories of the 19th Century mathematician Bernard Bolzano, whose Theory of Science had also been based upon a correction to Kant's Aesthetics. Recently, German scientists rediscovered Bolzano's work and extrapolated its reasoning into the modern format of fractal logic, commenting that Kant had not even grasped the logical significance of important problems that Bolzano had solved. Edmund Hurserl's book on pure logic, published in 1900, considered Bolzano to be amongst the greatest logicians of all time. It is of further interest that Professor Eilenberger's chapter also contains a correction to Kantian Aesthetical theory.

Dr Cockburn's work was used in 1986 to correct the optical key to Leonardo da Vinci's Theory of Knowledge. While there is no questioning da Vinci's brilliance in mastering the laws of artistic perspective they have now been superseded by the artists evolving innate optical ability to create holographic images, which is now relevant to the development of new human survival supra technologies.

http://www.science-art.com.au Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

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Renaissance Science and The Electromagnetic Technology of Platonic Love.

The Fullerene Chemistry life-science of the three 1996 Nobel Laureates in Chemistry was based upon the synergistic engineering principles of Buckminster Fuller, which challenged the basis of 20th Century science. Harvard University's Novatis Professor, Amy Edmonson in her online book titled 'The Fuller Explanation' explains that Buckminster Fuller derived his engineering principles from the mathematics of the Greek philosopher Plato. Most people have heard of the term 'Platonic love' and now that Platonic-Fullerene Chemistry has come into existence, we might ask the question, what practical engineering principles might be associated with Platonic love?

To answer that question we can examine how the new chemistry challenges the general understanding of modern science. The NASA High Energy Astrophysics Division library has published papers arguing that the Platonic tradition of Greek philosophy was based upon fractal geometrical logic. All life-sciences within the present accepted understanding of science, can only be about species moving toward extinction. This is because Einstein's 'Premier law of all Science' demands the total destruction of all life in the universe when all of its heat is radiated away into cold space. On the other hand, Plato's ethical logic is based upon fractal geometry, which we know extends life-science to infinity. The New Measurement of Humanity Project at the University of Florence, on September 24th 2010, was honoured with the Georgio Napolitano Medal on behalf of the Republic of Italy. The Project's upgrading of quantum mechanics to quantum biology, agreed with Plato's logic.

The practical engineering principles we seek, belongs to the difference between aesthetics and ethics. Ethics can now be considered to be part of science itself, rather that being considered to be only about how we use science. We can explain the difference in simplistic terms rather than complex electromagnetic biological terms that belongs to quantum biology. We know that the old chemistry we have, does indeed obey Einstein's law of Universal decay. However, we know from the discovery of Sir Isaac Newton's unpublished papers, discovered last century, that Newton held the firm conviction that a more profound natural philosophy existed to balance the energy decay of the mechanical universe. Newton's principles, responsible for this balance, belonged to Plato's lost 'Science for ethical ends'.

During the 18th Century, the philosopher Immanuel Kant defined aesthetics as the theory of art appreciation, but he also sought ethics technology from within the electromagnetic theories of his day, an electric motor to make the one we know as a child's toy by comparison. Kantian aesthetics in the 21st Century has become the basis of a moral logic to guide various types of organisations. An interest in ethical electromagnetic biological science is re-emerging, because of the new Platonic-Fullerene Chemistry.

Any aesthetic consciousness in the beauty of, say, a painting of a lovely mountain range with majestic waterfalls, is about seeing beauty in decay, the waterfalls are eating away at the structure of the mountain. The aesthetic feeling, therefore, belongs to the material world of destructive reality, but it inspires a peaceful harmonic creative intuition in the mind. The Nobel Laureate in Medicine, Svent-Gyoergyi, was so insistent that this material decay was balanced by the evolution of consciousness, that he called scientists who did not realise this, crazy apes and wrote a book with that title. We can now begin to think that the mental harmonics associated with mareialistc aesthetics and the evolution of the mind, might have some great universal ethical purpose and begin to look for the new technologies that Immanuel Kant intuitively glimpsed. This is about the optical spiritual, or holographic, engineering principles that Plato wrote about.

The harmonic balancing of the decay of matter with Sir Isaac Newton's more natural profound balancing philosophy, describes some sort of entanglement between the the energies of decay and evolving creative consciousness. This is known as quantum entanglement, a process existing between quantum mechanics and quantum biology. The biologist Dr Carl Johan Calleman, author of the book 'The Purposeful Universe' has quantised the functioning of the human cell. This allows us to identify the rather incredible nature of Immanuel Kant's sought for ethical electromagnetc ethical technology.

Dr Callerman notes that the male sperm propels itself to the ovum by a tiny electromagnetic motor, which is driving its tail. Upon entry to the ovum, the male motor morphs into a balanced Yin-Yang motor of life. This spark of life programs a universal message of evolution to the first bone created within the embryo, the sphenoid bone. The sphenoid vibrates with the seashell design of the inner ear, to provide the electromagnetic music of life that Plato referred to as Pythagoras' Music of the Spheres. Dr Richard Merrick of Texas University, in his book 'Interference' has mapped out the electromagnetic functioning of the Music of the Music of the Spheres within the functioning of evolving consciousness.

The Science-Art Research Centre of Australia discovered the mathematical structure of the Music of the Spheres governing the evolution of seashells through millions of years through space-time The discovery was reprinted by the worlds largest technological research institute IEEE SPIE Milestone Series in Washington in 1990. In 1995 the work won the Institute for Basic Research's Biology Prize for the discovery of new physics laws governing optimum biological growth and development through space-time. Since then, it has been discovered that the human sphenoid bone sings the same Music of the Spheres song of life, meaning that it is now possible to discover a practical technology from what was once called Plato's optical spiritual engineering principles.

The Science-Art Centre obtained experimental evidence by using special 3-D Glasses, of the existence of Plato's spiritual optics by discovering that, over the centuries some artists had unconsciously depicted holographic images into their paintings. The new technology is about humankind's evolving understanding of the nature of Einstien's protege, David Bohm's, infinite holographic universe. Now that the difference between aesthetics and ethics is understood, humankind is poised upon the threshold of what buckminster Fuller referred to as Uopia or Oblivion.

Within the Platonic tradition of Greek philosophy, Aristotle's ethical science was designed to become the basis of an ennobling medical politics for the health of the universe, so that the universe would not allow civilisation to become extinct. The Platonic-Fullerene Chemistry is part of that political medical science and it has no place for any aesthetic obsession to dominate politics or religious persuasions. For example, aesthetical appreciation of blond blue eyed people becoming a master race is not ethical, as also was using the aesthetics of Angel Physics to legalise the torture and burning alive of countless women and children as witches.

The 2008 Nobel Prize Winner in Medicine Dr Luc Montagnier, is among an emerging group of scholars who claim that evidence has been obtained to show that DNA can transport imprints of itself electromagnetically. To make teleportation ethical it would be necessary to change the general assumption that nature will find some way to cull overpopulation. Transparent global medical scientific research, available to the people must come into existence to allow ethical debate on such issues to occur. That very process, acting in defiance of being governed by the present understanding of unbalanced entropic decay, will demonstrate the existence of new technologies, for the betterment of the human condition, far beyond the ability of an entropic mindset to even imagine.

Professor Robert Pope (C)

http://www.science-art.com.au

Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html

Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Renaissance Science - The Physics of Social Cancer

At a World Summit Meeting of Science in 1979 held at the International Centre for Theoretical Physics in Trieste, China's most highly awarded physicist, Kun Huang, agreed with the director of the Australian Science-Art Research Centre in Australia, that modern physics had no capacity to embrace life energy forces as it could only dealt with mechanistic logic.

Classical Greek life science had been based upon the Golden Mean geometries associated with the harmonic movement of the Pythagorean Music of the Spheres concept. Celestial movement was also thought to use the forces of harmonic resonance to transmit evolutionary guidance information to the movement of atoms within biological systems. Huang suggested that by observing evolutionary patterning changes to the various Golden Mean designs recorded in the worlds seashell fossil record, it might be possible to deduce the nature of the new life energy physics laws.

During the 1980s the Science-Art Centre had several seashell life energy papers published by Italy's leading scientific journal, Il Nouvo Cimento. In 1990 two of them were selected as being amongst the important discoveries of the 20th Century by IEEE in Washington. This institute is dedicated to the betterment of the human condition and is the world's largest technical professional society. The Centre's mathematician, generated the simulation of a living seashell creature. By lowering the formula's harmonic order, he generated the creature's 20 million year old fossil ancestor. By lowering the order by a lesser harmonic he obtained the simulation of the fossil, Niponites Mirabilis, becoming the first person in the world to link that fossil to any living creature.

In 1995 the seashell mathematics won an internationally peer reviewed first prize in biology for the discovery of new physics laws governing optimum biological growth and development through space time, validating Kun Huang's original premise. Recently it was discovered that the first bone created in the human embryo is the sphenoid bone and that it was currently changing its shape under the influence of the same physics forces controlling seashell evolution. The sphenoid, known in Alchemy as Golden Mean is in vibrational contact with the sea shell design of the inner ear. Niponites Mirabilis was designed to keep the creature upright in water and the design of the inner ear keeps humans upright on the land. The Science-Art Centre is now working on a project to generate a futuristic human survival simulation in order to deduce the nature of new human survival technologies.

From the humanoid sphenoid fossil record, we can observe that each time it changes shape a new species of humanoid emerges. By running the Music of the Spheres life-forces through the humanoid fossil record it should be possible to generate a twenty million year human survival scenario. This vision of humanity's futuristic healthy future would provide a reliable template from which to obtain the new survival technology. Such technology would be associated with a fractal logic process which functions in defiance of the physics laws governing the present scientific world view.

The moral reason that such a fractal life science should be developed is that by using the Classical Greek fractal logic, it is possible to generate healthy biological growth and development through space time. Attempts to do this by using the present life energy science can only result in the generation of biological distortions. It can be considered that our present understanding of life science contains cancerous logic.

Dr Richard Merrick at the University of Texas has used the Classical Greek Music of the Spheres' life science to explain, in great biological detail, the fractal energy basis of creative thought. NASA has published papers arguing that the ancient Greek life science was based upon fractal logic. The engineer Buckminster Fuller, in his book Utopia or Oblivion argued that unless science is reunited with that ancient world view then civilisation cannot survive. The existing global scientific cancer can be prevented from going terminal. Fuller's work as been employed to rewrite Chemistry as the basis of a new medical life science.

http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html
Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Renaissance Science and Botticelli's Hidden Code

In 1462 Cosimo Medici established the rebirth of the outlawed Platonic Academy in Florence and appointed Marsilio Ficino as its founder. Ficino's fundamental concept, derived from Plato's geometry, was about the existence of eternal wisdom of the immortal soul being central to the functioning of the universe. The only geometrical logic that can possibly accommodate such an idea is fractal logic, which, in 20th Century science could not be linked to any sort of life science whatsoever.

Did the Medici scholars of the 15th Century commission Italian artists to place hidden messages of pagan science into paintings that are now used to develop pagan technology today? A rather strong case argues that this is quite correct. We can conduct an investigation by examining two paintings commissioned by the Medici scholars, Sandro Botticelli and Domenico Ghirlandaio. Both the paintings were completed in Florence during 1480.

It is common knowledge that Botticelli's Graces danced to the Pythagorean Music of the Spheres, imitating divine reason and cosmic order. Botticelli played a rather dangerous game by his habit of painting prominent Christian figures into the fabric of such a world-view reality. In his painting of St Augustine in His Study, Botticelli was definitely flirting with disaster. He disregarded Augustine's classification of the Pythagorean celestial mathematics embracing Epicurus' atomic structure within the human metabolism, as the work of the Devil. By painting a spherical brass book stud to depict the atom of the soul, Botticelli carefully placed it into the orbit of Augustine's halo, which, as a symbol of consciousness, linked divine reasoning with the Music of the Spheres.

There is no doubt about the heretical meaning of the painting. A book behind Augustine's head is clearly opened to display a page of Pythagorean mathematics. To the right an astrolabe for observing celestial bodies is depicted and to the left is an armillary sphere, which is a model of celestial movement. Augustine's concentrated gaze is directed upon the celestial movement model depicting a geometer in deep philosophical thought. Celestial movement transferring divine evolving wisdom to the soul through harmonic resonance describes the scientific ethos of the 3rd Century BCE science of universal love. The scientist Giordano Bruno taught about this at Oxford University before he was imprisoned, tortured and burnt alive120 years after Botticelli painted his now famous painting with the same hidden message.

Ghirlandaio's painting of St Jerome in his Study depicts Augustine's 5th Century colleague, who was also a prominent figure in the Christian religion. We realise that Botticelli did not place his spherical image book stud into Augustine's halo by mere chance because the device was very carefully repeated by Ghirlandaio placing a spherical book stud image into his own orbit of St Jerome's halo.

The question as to whether this artistic depiction of pagan science influenced modern science is easily answered as yes.

The Science-Art Research Centre of Australia, once alerted to Plato's spiritual optics by realising what Botticelli had attempted to depict, was able to draw up a research program to modify the optical key to Lenardo da Vinci's Theory of Knowledge. The 1991 Nobel Laureate in physics was awarded to Pierre de Gennes for his liquid crystal optics theories. The relevant discovery of a vast new science and technology by a research team the following year validated the nature of the technology that the Centre had predicted. The principal discoverer, wrote that the Centre's work encompassed a revolution of thought as important to science and society as the Copernican and Newtonian revolutions.

The Science-Art Centre instigated a highly successful research program during the 1980s to develop futuristic simple life form computer simulations based upon a Music of the Spheres methodology suggested by China's most highly awarded physicist, Kun Huang. This research has now advanced to embrace futuristic human survival simulations. Plato's spiritual optics engineering principles have also been advanced into life energy concepts that are basic to a new life science instigated by the three 1996 Nobel Chemistry Laureates.

The NASA High Energy Library has published the proposition that the Classical Greek Era's life science was based upon fractal logic. However, the linking of any life science to fractal logic is still considered by some to be a criminal heresy and such a concept remains in total defiance of Einstein's 20th Century understanding of the energy governing modern science itself.

Copyright © Robert Pope 2010

http://www.science-art.com.au Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Renaissance Science - The Electromagnetics of Universal Love

The Molecule of Emotion was discovered in 1972 by the scientist Dr Candace Pert. It was found to be the same molecule that existed in a primitive creature millions of years ago. The evolutionary difference between the primitive life form molecule and the human molecule was that the human one vibrates much faster. It can be considered that this evolutionary speeding up process might be caused by the fractal expansion of the universe. This proposition can be accommodated within the lost Classical Greek Music of the Spheres life science. The Harvard/NASA Astrophysics High Energy Division Library recently published papers arguing the the Classical Greek world view was based upon fractal logic.

The major difficulties in carrying out research into fractal life-science is firstly, that it has been declared heresy and secondly, it challenges the physics law governing Western scientific culture. That physics energy law demands the destruction of all life in the universe when the universe's heat radiates off into cold space. While fractal logic is scientifically accepted as extending to infinity, life sciences within Western Universities can only be about species evolving to toward this postulated heat death extinction. The pagan basis of science once argued that infinite geometrical logic linked the evolutionary process to the functioning of an infinite universe and once again religious dogmatic science is on the defensive.

The Jesuit priest Tieldardt de Chardin absolutely refuted the omni power of the physics law of total extinction now governing Western technology. Both he and his colleague Maria Montessori, who is listed in TIME Magazine's Century of Science as the greatest scientist of 1907, wanted to balance Einstein's 1905 law of destruction E=Mc2, with a forbidden fractal logic law from ancient Greece. De Chardin's work was denied publication during his lifetime by the Roman Holy Office and the law basic of the destructive ethos went on to be referred to by Einstein as the premier law of all science.

Montessori was working with Alexander Graham Bell and Thomas Edison on ideas about how electromagnetic forces might be influencing young schoolchildren in order to develop creative abilities distinct from parental or dogmatic church imput. De Chardin and Montessori's electromagnetic Golden Gates to the future could not open for any chosen race or privileged few, but only for all people at the same time. The Science Art Research Centre in Australia wanted to locate a pragmatic electromagnetic example of this humanistic fractal logic functioning in nature.

The scientist, Matti Pitkanen, extended de Chardin's ideas about the lost Greek science of universal love. Every 11 years the sun sends balls of lethal electromagnetic radiation toward the earth which are caught be the earth's electromagnetic hands and flung off into outer space. Pitkanen pointed out that the process fulfilled the criteria for it to be considered as an act of consciousness, in which electromagnetic forces act for the health of all life on earth at the same time.

During the 20th Century the Science-Art Research Centre of Australia discovered new physics laws governing optimum biological growth and and development through space-time. Both the Centre's mathematician and director were awarded Gold Medal Laureates in 2009 by the Telesio-Galilei Academy of Science in London. Professor Simon Shnoll, the Head of Biological Research at Moscow University, also received such an award following his impassioned lecture about the burning alive in Rome of the scientist Giordano Bruno for teaching about the Greek science of universal love at Oxford University.

While the wrath of the Inquisition may have lost potency, reasoning about life and death issues for humanity can still suffer influential constraint because of existing religious dogmatic persuasions. In honour of those great scientists of the Church who suffered so badly because of its hierarchical disposition, challenges to fixed scientific doctrine concerning spiritual or holographic science debate should no longer warrant condemnation as heresy. Cicero, the Roman Historian, recorded that the teachers of the Greek Atomistic science of universal love were called saviours. Perhaps, Thomas Jefferson's published conviction that Jesus Christ was the greatest of those scientists who had inherited the 'Saviour' title, might provide some sort of modernistic healing salve for the Church during future technological debate.

By Professor Robert Pope

Copyright © Robert Pope 2010

Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Renaissance Science and the Song of an Extinct Sea Monster

What might it mean when it is discovered that a weird, grotesque, extinct sea ammonite was able to send evolutionary information through 20 million years of space-time to influence the design of a modern day seashell creature? A clue to answering the question might well be that it appears to have been designed to float upright, suggesting an evolutionary process better understood in the days of ancient Greece than by modern science. Nipponites Mirabilis, Stone of Japan, had a primitive, snake-like, twisted shell from which emerged a small squid-like creature that floated along slowly in an ancient sea to ensnare its food. The evidence that the ancient Greek life-science might have been correct, overwhelmingly argues that Darwin's evolutionary theories appear to be obsolete.

During the 1980s Italy's leading science journal Il Nuovo Cimento published papers written by the Australian Science-Art Centre's mathematician, Chris Illert, in which he was able to generate simulations of seashells indistinguishable from colour photographs of the living seashell. By lowering the harmonic structure of the relevant formula that he had constructed, a simulation of the creature's ancestor fossil was generated. By lowering the formula by a lesser harmonic a strange, compacted, tube-like fossil simulation was obtained.

The grotesque seashell design was identified by the Smithsonian Institute as being an accurate simulation of Nipponites Mirabilis. Illert became the first person to demonstrate that the extinct ammonite had been able to transmit design information across 20 million years of space time to influence the design of a living creature. His optics discovery was reprinted in 1990 by the world's largest technological research institute as an important discovery from the 20th Century literature.

Illert's mathematics was associated with Renaissance geometries and considerable controversy was generated at the time. Some scholars, such as the late Dr George Cockburn, Royal Fellow of Medicine, London, proposed that the evolutionary logic belonged to the universal space-time logic of fractal geometry. This was not a popular idea because mainstream science was, and still is, governed by Einstein's premier law of all of science. Although the infinite logic of fractal geometry is quite acceptable to modern science, all life in the universe must be destroyed, a death sentence demanded by the Einsteinian world view. The Science-Art Centre's Dr Cockburn, quite familiar with Chris Illert's research, devoted the rest of his life to linking artistic creative thought to the functioning of universal fractal logic. Cockburn's optical theories led to a modification to Leonardo's Theory of all knowledge, which successfully showed Darwinian life-science theories to be based upon false assumptions.

Leonardo da Vinci considered that the eye was the key to gaining all knowledge, a concept that Plato considered belonged to barbaric engineering, because such principles ignored his spiritual optical engineering principles. The engineer, Buckminster Fuller, based his synergistic life-energy discoveries upon Plato's ethical optics research. Fuller's work was constructed upon a fractal mathematical logic compatible with Cockburn's published medical research. Fullerene logic is now upholding a new fractal logic life-science chemistry endorsed by the three 1996 Nobel Laureates in Chemistry.

Leonardo's theories were modified because, when the sperm makes contact with the liquid crystal membrane of the ovum the eye does not exist and life is instigated though the functioning of liquid crystal fractal logic optics. This discovery linked the human evolutionary process to ancient prehistoric life forms whose fatty acids had sometimes combined with minerals to form liquid crystal soaps which, when influenced by cosmic X-Radiation, grew into crystalline formations exhibiting certain fractal functioning associated with human evolution.

The discovery of a transfer of fractal evolutionary information from a small extinct sea creature across 20 million years of space-time indicated an aspect of fractal life-science intelligence well beyond Darwinian evolutionary theory. It is also well beyond the primitive technology of modern science, however, it is consistent with Platonic spiritual engineering principles now associated with a new life-science chemistry. The human sphenoid bone vibrates the same seashell life-energy forces used by Nipponities Mirabilis to help advance fractal logic evolution. The human vibrations are in contact with the seashell design of the human cochlea, designed not to keep a creature upright in water, but to keep humans upright on land.

Texas Univerity's Dr Richard Merrick has researched and adequately developed the electromagnetic fractal logic of life found functioning within the human creative cerebral mechanisms. This functioning can be considered to be established by the sphenoid's liquid crystal programming. Dr Merrick's work is associated with Pythagoras' Music of the Spheres fractal life-science world view, which can be considered to be associated with the life-force song sung by Nipponites Mirabilis. In order to develop human survival technology, we can now ask the sphenoid where it wants to go. From the humanoid fossil record, each time the sphenoid changes its shape a new specie emerges. By applying knowledge about the harmonic music sung by a grotesque little sea monster floating along in an ancient sea near the Japanese coast, we can envisage a futuristic supra- technology linking us to a reality 20 million years into the future.

©Professor Robert Pope

http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html

Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

This post was made using the Auto Blogging Software from WebMagnates.org This line will not appear when posts are made after activating the software to full version.

Renaissance Science, Plato's Optics and Fuller's Fractal Utopia

The Parthenon of ancient Athens is considered to be a cultural icon of Western civilisation. Recently it has revealed optical principles that are now transforming our basic understanding of modern science, bringing about a new Renaissance.

In 1687 a Turkish military commander used the Parthenon to store gunpowder during a military engagement against a Venetian cannon bombardment. One Venetian shot exploded the gunpowder leaving the Parthenon in a state of ruin. The present restoration of the Parthenon used computer technology to measure where the various parts of the original structure fitted into place. From that process an important find was made. The Parthenon had been very carefully constructed to conform to lost optical engineering principles.

While records of much of ancient Greek science have been destroyed as pagan heresy we do know that there once existed optical engineering principles for a spiritual reality. Plato recorded that engineers who did not understand such optical principles were barbarians who were unfit to call themselves philosophers.

In her online book, A Fuller Explanation, Professor Amy Edmondson, Novartis Chair at Harvard University, wrote about Plato's optical discoveries. She admonished Buckminster Fuller for his enthusiastic delight in new found truths but forgave him for appearing to take the credit for Plato's engineering principles relevant to spiritual optics. We can assume that these principles relate to the optical secrets hidden in the Parthenon. The term 'spiritual reality' can now be equated with holographic reality, which is known to be associated with the functioning of liquid crystal fractal logic. That logic is relevant to Buckminster Fuller's theory of synergetics, a spiritual life-force energy that acts in defiance of the logic that upholds modern mechanistic science.

During the 5th Century AD such life-force speculation challenged the power of the Christian hierarchy. Pope Cyril of Alexandria appears to have excited followers of Christianity to riot and burn scrolls belonging to the Agora, or Great Library of Alexandria. The Custodian of the Library, the famous mathematician, Hypatia, was murdered by the rioting mob. The 2009 Hollywood film, Agora, records the events leading up to her death in 415. History records that Saint Augustine, at that time, wrote that Hypatia's mathematics belonged to the work of the devil.

Recently the NASA High Energy Astrophysics library has published papers explaining that the Classical Greek World-view was constructed upon the geometry of fractal logic. Modern science readily accepts that fractal logic extends to infinity but remains governed by the second law of thermodynamics. Einstein classified the second law as the premier law of all of science. As this law, also known as the universal heat death law, condemns all life to eventual extinction, any infinite fractal logic life-science becomes inconceivable. Augustine's classification of Hypatia's life-science as the work of the devil can be now seen to have seriously contaminated modern science, a contamination of great concern to Buckminster Fuller. Following NASA's fractal logic publications it would seem reasonable to be able to demonstrate errors in the 20th Century popular evaluation of Augustinian philosophy.

Encyclopaedia Britannica lists Augustine's mind as the crucible which most completely fused the Platonic tradition of Greek philosophy with the religion of the New Testament, influencing both Catholic and Protestant beliefs today. Fuller's synergetic life form mathematics, derived from Plato's spiritual optics, is now the basis of a new medical chemistry developed by three 1996 Nobel Laureates in chemistry. If Hypatia's mathematics was tied to Plato's fractal life-science logic, then Western scientific culture would appear to be in a state of spiritual confusion. In his book, Beyond Socrates, the noted Cambridge University philosopher of Greek thinking, F M Cornford. included Plato as one of the greatest fathers of the Christian Church, which is simply an impossible concept if Plato's work is considered to be the work of the Devil.

The second law of thermodynamics completely governs every aspect of mainstream Western technological culture. While mainstream science readily accepts that the fundamental property of fractal logic is that it extends to infinity, this fact can not possibly be comprehended within Einstein's 20th Century world-view, in which all life is sentenced to heat death extinction. Now we can see the significance of the title of Fuller's book, Utopia or Oblivion.

This book echoed the thrust of the famous 1959 Rede Lecture, delivered by the molecular biologist C P Snow, who warned that unless modern science reunited with the Classical Greek life-science ethos, civilisation as we know it must be destroyed. The Parthenon's lost optical secrets can be seen to be a rather important discovery.

Copyright © Robert Pope 2010

http://www.science-art.com.au Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

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Renaissance of a Lost Political and Medical Life-Science

The world of modern mechanical science tends to consider that ethics are about how a person uses science rather than ethics being an actual property of natural science itself. Contrary to this mechanistic ethos, in the old Kingdom of ancient Egypt, the seeds of a spiritual science were planted, which were destined to one day become basic to Classical Greek scientific thinking. Egyptian philosophy was centred around a balanced geometrical structure of the universe. The goddess Ma'at actually depicted geometrical balance in association with such ethical concepts as, truth, and justice.

The online BBC article by professor of Egyptology, Professor Fekri Hassan, entitled The Fall of the Egyptian Old Kingdom, explains that during the 22nd Century BCE a terrible drought brought about the collapse of the old Kingdom, destroying the structure of centralised Egyptian rule. Within one hundred years the people re-established Egyptian government under the condition that mercy, compassion and justice were fused into the new political structure. If we replace individual theories within the Platonic tradition of Greek philosophy with general objectives, we find that there existed a common goal in which Greek universities sought to add to the Egyptian ethics to establish a life-science to guide ennobling government.

Plato recorded that during the 6th Century BCE the Greek geometer, Thales, went to Egypt to study the geometrical basis of ethical government. He used that knowledge to rally opposition by the Greek tribes in their war against the tyranny of Persian military conquest. Thales persuaded Pythagoras to also travel to Egypt where Pythagoras developed the Greek celestial Music of the Spheres concept to which the philosopher, Epicurus, included the the harmonic movement of the atoms of the soul. The harmonic movement of the moon could be seen to influence the female fertility cycle. Through the forces of harmonic resonance the moon might impart evolutionary wisdom to the atomic movement within the human metabolism, establishing the basis of an ethical science to explain a mother's love and compassion for children.

During the 1st Century BCE, Cicero, the Roman Historian, recorded that this science, called the science of universal love, was popular throughout Italy and across to Turkey and he considered its teachings to be a threat to the structure of Roman rule. The only geometrical logic that can postulate linking the living process to the Egyptian concept of an infinite soul is fractal logic. NASA has published papers arguing that the Classical Greek Era was based upon fractal logic. The 20th Century discovery of Sir Isaac Newton's certainty of the existence of a more profound natural philosophy to balance the infinite functioning of the universe, is likewise a fractal consideration. Furthermore, Newton's infinite balanced world-view was upheld by the same principles of particle movement that were used to uphold the science of universal love.

We should carefully examine how religious persuasions come to dictate how scientists think, because a rather serious social error in democratic political thinking has occurred. The United States of America set out to emulate the Golden Age of Greek political ethics, which had been based upon extending the Egyptian geometrical based concepts of mercy, compassion and justice. The framers of the Constitution did not include Sir Isaac Newton's unpublished physics principles because Newton dared not publish what he considered a more natural and profound world-view. Even today there are some that have classified Newton's balanced world-view as an insane criminal heresy. Alexander Hamilton,one of the founders of the Constitution of the United States of America, defined Democratic liberty only in the limited terms of Newton's published physics principles.

The result of that unbalanced political action was that ethics in science is now generally about how one chooses to use science rather than how one might be able to create sustainable ethical technology for the betterment of the global human condition. Hopefully, a more enlightened awareness will come into being now that modern chemistry is being rewritten by Nobel Laureates to accommodate the reuniting of life-science to Newton's fractal logic. This fact may help provide a better public understanding of what political freedom, outside of the present fixed scientific world-view, can mean for the peoples of the world.

http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html

Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

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Renaissance Science and the Overpopulation Problem

The 5th Century BCE philosopher, Anaxagoras, was a central figure in the development of the Classical Greek Era's life science. The Harvard/NASA High Energy Astrophysics Division Library has published papers arguing that this life science was based upon fractal geometrical logic. During the 5th Century St Augustine classified such pagan life science mathematics as being the work of the devil. This effectively denied its re-emergence until the present time when the fractal life energy theories of the engineer Buckminster Fuller, derived from Plato's banished mathematical research, were observed functioning within the DNA. Fuller's work became basic to a new medical life science institute established by the three 1996 Nobel Laureates in Chemistry. Fuller's world view completely challenged the fixed world view's understanding of universal energy.

Plato had written that engineers who did not understand about his spiritual engineering principles were like warlike barbarians who were not fit to be called philosophers. As ethical mathematics has been divorced from life science physics for almost sixteen hundred years it is necessary to explain that for centuries, well meaning aesthetical considerations were no real substitute for the lost Greek ethical physics principles. This statement demands authoritative reference, as it is rather offensive to demean honest attempts by scientists who strove to act or think ethically.

In 1990, Edward Husserl's publication on pure logic listed the mathematician, Bernard Bolzano, as one of the world's greatest logicians. German scientists recently rediscovered Bolzano's Theory of science, which had been constructed by correcting the Aesthetics theories of Emmanuel Kant. Through computer extrapolation they discovered that Bolzano had based his correction upon fractal logic. In 1991 the Cambridge University Press published the German scientist J Alberto Coffa's reaction to Bolzano's correction of Kant's work. In the book entitled The Semantic Tradition from Kant to Carnap. To the Vienna Station, edited by Linda Wessels is the following paragraph "Kant had not even seen these problems; Bolzano solved them. And his solutions were made possible by, and were the source of, a new approach to the content and character of a priori knowledge." Therefore, it can be reasonably argued that Plato's ethical spiritual engineering principles should not have been banished from science in the first place.

Our present scientific world view is barbaric because it is incorrectly governed by an energy law that prohibits the existence of any life science being linked to the functioning of universal ethics based upon fractal logic. We can now compare the old engineering logic regarding solutions to, say, the problem of overpopulation, to the new fractal logic life science. Thomas Malthus' famous Population essay was based upon the religious teachings of St Thomas Aquinas, the thrust of which became synonymous with the entropic second law of thermodynamics, now governing all of science.

Charles Darwin cited Mathus's Population paper as the basis for his life science theory of evolution. A commonly accepted entropic solution to the problem of overpopulation is that nature will find a way to cull the population. On the other hand fractal logic is now presenting various reality models that allude to new technologies providing more ethical considerations.

Animal and vegetable fatty acids combined with minerals in prehistoric clays to form liquid crystal optical mineral soaps. When subjected to cosmic radiation crystalline structures evolved, defying the logic of present day entropic life science. For example, jasper crystal growth produces Mumford fractals. Mainstream science accepts that a property of fractal logic is that it extends to infinity. Plato's spiritual or holographic optical engineering principles appear to have been instigated by nature for some completely unknown future purpose. Human Swarm Technology alludes to various possiblities beyond the ability of modern science to even begin to comprehend, echoing Emmanuel Kant's inability to conceive of the problems that Bolzano solved.

Population may soon inherit ethical technologies anticipated by nature to allow population to disperse into aspects of holographic reality that holds infinite human survival potential.

Professor Robert Pope

http://www.science-art.com.au
Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html. Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

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Renaissance Science and a 'Fair Dinkum' Australian Politician

Some people mourn an aspect of political candour that existed in Australia during the era of the 20th Century's political struggle to ensure educational opportunities for the working class. A sense of Australia 'doing right' to 'get somewhere' or to 'forge ahead', existed in contrast to the 21st Century's 'spin doctoring', with its continual reference to various complex financial graphs and charts. The Australian term 'fair dinkum' was a colloquial expression used to denote an opinion that was genuinely held with no reservations. 'Fair Go' was associated with the making of reasonable judgemental policies and the term 'using your Nous' was another popular term, referring to using one's common-sense. Master tradesman often exhorted their apprentices to use their Nous to solve problems.

A fair dinkum Aussie Pollie, in that bygone era, used his or her Nous to ensure a fair deal, and such a person became a well respected Australian politician. The Australian Federal Minster, Simon Crean, had earned such a reputation, along with the rough and tumble criticism from those who put profits ahead of all else. Simon Crean devoted his life creating educational opportunities for fellow Australians, be they unemployed tradespeople or those engaged in fields of higher education.

Simon Crean has become a pivotal figure in ensuring that Australians get a fair go to become acquainted with the development of an entirely new science of chemistry. This medical science, now established by three 1996 Nobel Laureates in Chemistry, is emerging onto the world stage, in complete defiance of the 20th Century's fixed life-science world-view. Australia, thanks to Simon Crean, holds a prominent position within its great futuristic global potential, in which the importance of the Platonic tradition of Greek philosophy, to fuse ethics into the Nous, is of paramount importance within the functioning of the new chemistry.

During 1995, as the Minister for Employment, Education and Training, Simon Crean's Department investigated an application by the Science-Art Research Centre in Australia to become An Australian Government Approved Research Institute. A major Australian University's assessment for the Government claimed, that while the Centre's work was not factually erroneous, it was inconceivable. The scientific hostility toward the Centre's work was such that its mathematical life-force theories, reprinted in 1990 as one of the 20th Century's important discoveres, by the world's largest research institute based in Washington, the IEEE SPIE Milestone series, was treated with hostile contempt in Australia.

Fourteen years earlier, the Commonwealth Government had awarded the Centre's director a grant to supplement a UNESCO appointment for him to attend a World Summit Science Meeting in Trieste. The successful application form clearly explained that the Centre's objective was to bring to Australia an understanding of a new science and technology beyond the ability of Australian educational system to comprehend. In 1995 the Australian Department of Taxation agreed that monies had been spent on the research, which had been given adequate Governmental approval in 1979. Therefore, the work of the Centre could not be considered to be inconceivable. Minister Simon Crean, appeared to have personally weighed up this very contentious issue and decided on giving the Centre a fair go. Ironically, the research was directly related to using the physics structure of the Classical Greek science of life, derived from the ancient concept of the Nous. Simon Crean, has become an important political figure for future history books, as being an Australian politician that used his Nous when other influential Australians could not.

Recently, the NASA High Energy Astrophysics Division Library, published the argument that the Nous was based upon a fractal life-science logic that cannot conceivably be accepted within the general understanding of present science. The discovery that Fullerene chemistry is based directly upon the life-science of the Nous is now basic to a completely new understanding of medical chemistry. Relevant research by Florence University's New measurement of Humanity Project, was endorsed on the the 24th of September, 2010, with the "Giorgio Napolitano Medal" being bestowed upon its organisers, Professors Paolo Manzelli and Massimo Pregnolato, for research conducted by their Quantumbionet/Egocreanet New Renaissance Project. The Australian Science-Art Centre became the first research institute in the world to successfully rename the Fullerene Chemistry as Platonic-Fullerene Chemistry.

In his Guest Editorial within the Journal of Consciousness Exploration & Research issue of the Quantum Brain/Mind/Consciousness November 2010 (Part II), Professor Massimo Pregnolato's paper, entitled Time for Quantum Consciousness, contained a specific mention of the work of the Science-Art-Research Centre of Australia. The Social Cradle being constructed by the Centre to nurture the new human survival life-science into existence was specifically noted. Reference was given to the Centre's Space-Time Model being mentioned in the June 2007 edition of NeuroQuantology.

Plato's spiritual, or holographic optic engineering principles, translated into Fullerene synergistic forces that influence protein functioning within the DNA, remains an impossible world-view concept within the Australian educational system. Nanotechnology has proven, beyond all doubt, that this cultural understanding is nothing but an ignorant and barbaric relic of the Dark Ages. Minister Simon Crean, who has been recently appointed as the Federal Minister for the Arts, may well have reason to employ his Nous once again, this time, not over a physics energy issue, but an entirely artistic one.

Plato's optical principles, postulated by the Science-Art Research Centre of Australia, as belonging to the functioning of optical physics responsible for artistic creativity, is no longer just theory. The Centre had the good fortune to prove, through viewing paintings through special optical lenses, that some artists had been unconsciously painting holographic images into their work for centuries. The hidden images are now so evident that the Italian Renaissance's laws of optical artistic perspective have been superseded by the Australian discovery.

As a result of that discovery, the Science-Art Centre was able to contribute to the understanding of the cerebral electromagnetic functioning of creative thought. Florence University recognised that the Centre's decision to help construct a Social Cradle to nurture their important research, was based upon Buckminster Fuller's warning, to either get the new science off the ground or inherent global entropic extinction in the near future.

The Director of the Centre was recently appointed the Artist Ambassador to the New Florentine University Renaissance Project, a responsibility fully endorsed in writing by ten world famous scientists. As such, the Centre may well have reason to introduce itself once again to the good offices of Simon Crean's Administration, because the Australian Art Establishment has no understanding that the new art life-science chemistry exits, let alone at the level of comprehension by three Nobel Laureates in Chemistry. Furthermore, the Australian Governmental Arts Administration has expressed no interest whosoever, of the fact that in 2009 the Director of the Science-Art Research Centre was the recipient of a Gold Medal Laureate for his successful modification to Leonardo da Vinci's Theory of All knowledge.

That honour was also awarded to the Head of Moscow University's Department of Biological Research, Professor Simon Schnoll, whose work has received recognition from Princeton University's Global Consciousness Project, headed by Professor Roger Nelson. As the current global entropic situation grows worse, the world will soon become desperate to develop the New Renaissance solution technologies, pioneered in Australia. The term ' fair go' is now really on the line for the entire world to observe and see what transpires, as the Centre herein, presents its new Ambassador credentials to the Australian Government.

Professor Robert Pope ©

http://www.science-art.com.au

Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center's objective is to initiate a second Renaissance in science and art, so that the current science will be balanced by a more creative and feminine science. More information is available at the Science-Art Centre website: http://www.science-art.com.au/books.html Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project, University of Florence, is listed in Marquis Who's Who of the World as an Artist-philosopher, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As a professional artist, he has held numerous university artist-in-residencies, including Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons. His artwork has been featured of the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian and the Australian Foreign Affairs Record. His artwork can be viewed on the Science-Art Centre's website.

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